The Geometry of Fear: Joseph Losey’s The Damned

Both the changing public perception and the style of post-war British motorcycle culture from the late-1950s to the mid-70s owed a tremendous debt to Hollywood, starting with László Benedek’s The Wild One in 1953. Motorcycling was now no longer viewed as the gentleman’s sporting hobby it had been in the early part of the century,… Continue reading The Geometry of Fear: Joseph Losey’s The Damned

Dracula (BBC 2020) Review

The last of the big three BBC winter schedule Victorian fantasy dramas dropped this week, with the epic three-part miniseries Dracula written by Sherlock and Dr Who team Mark Gatiss and Steven Moffat which concluded last night. And I have to say, I think the Beeb left the best until last. Following the reimagining of… Continue reading Dracula (BBC 2020) Review

The House of Horror: A History of Hammer Films

Dracula Prince of Darkness

Hammer was a small, family-run British film production company that once dominated the global horror market and remains hugely influential. Hammer resurrected the gothic icons discarded by Hollywood after the war in stylish, sexy and violent films that captured the essence of the original literary form, and functioned as dark reflections of the conventional costume… Continue reading The House of Horror: A History of Hammer Films

Gothic Film: A Brief History

Gothic films are at once very easy and very difficult to categorise. Within the wider context of the “horror” genre, gothic films are linked directly to the literary gothic of the eighteenth and nineteenth centuries, often adapting the original novels – for example: F.W. Murnau’s Nosferatu (Germany, 1922), Tod Browning’s Dracula and James Whale’s Frankenstein… Continue reading Gothic Film: A Brief History