Extract from new post for the Wordsworth Editions Blog… What would Christmas be without a good ghost story? Tales of haunted houses, vengeful revenants, and, for the more delicate constitution, spiritual redemption, are as much a part of the Christmas ritual as Midnight Mass, the Queen’s speech, presents, carols, and the occasional small sherry. And whether one… Continue reading The Ghost Stories of E.F. Benson
Category: Horror Film
The Geometry of Fear: Joseph Losey’s The Damned
Both the changing public perception and the style of post-war British motorcycle culture from the late-1950s to the mid-70s owed a tremendous debt to Hollywood, starting with László Benedek’s The Wild One in 1953. Motorcycling was now no longer viewed as the gentleman’s sporting hobby it had been in the early part of the century,… Continue reading The Geometry of Fear: Joseph Losey’s The Damned
The Turn of the Screw, The Innocents and The Haunting of Bly Manor
Extract from a contextual review for Wordsworth Editions, originally entitled ‘Based on the Writings of Henry James’: The Turn of the Screw, The Innocents and The Haunting of Bly Manor'. The Innocents (UK, 1961) is a scary film based on a scary book. Henry James’ The Turn of the Screw was first published as a… Continue reading The Turn of the Screw, The Innocents and The Haunting of Bly Manor
‘An Artist is Meant to be Extreme’: David Cronenberg’s Creative Manifesto
Something for Halloween, originally published in The Wiley-Blackwell Encyclopedia of the Gothic (2012) edited by W. Hughes, D. Punter & A. Smith... David Cronenberg is a Canadian auteur filmmaker who made his name with intelligent, innovative and graphic horror films. His work explores human fears and desires not commonly expressed in cinema, such as disease,… Continue reading ‘An Artist is Meant to be Extreme’: David Cronenberg’s Creative Manifesto
The Saw Is Family: The Texas Chainsaw Massacre and the Meaning of Murder
This week, horror fans and old goths like me around the world mourn the passing of Tobe Hooper, who died on Saturday at the age of 74, barely a month-and-a-half after we lost George A. Romero. Few directors get to redefine a genre, but Romero and Hooper both achieved this with Night of the Living… Continue reading The Saw Is Family: The Texas Chainsaw Massacre and the Meaning of Murder