Frankenstein and the Romantic Hero

Extract from new post for the Wordsworth Editions Blog… To read Frankenstein is to enter a realm of intersecting myths. It is there immediately in the novel’s original subtitle ‘The Modern Prometheus’, a comparison between the Faustian Victor Frankenstein and the Titan who stole fire from the gods and was punished horribly for gifting it to humanity.…

The House of Horror: A History of Hammer Films

Hammer was a small, family-run British film production company that once dominated the global horror market and remains hugely influential. Hammer resurrected the gothic icons discarded by Hollywood after the war in stylish, sexy and violent films that captured the essence of the original literary form, and functioned as dark reflections of the conventional costume…

Maturin’s Melmoth the Wanderer

In 1816, John Melmoth, a Dublin student, visits his miserly uncle on his deathbed. He finds a portrait dated 1646 hidden in his uncle’s closet depicting a mysterious ancestor with eyes ‘such as one feels they wish they had never seen.’ At his uncle’s funeral, a servant tells John an old family story about a…

John William Polidori: The Man Who Wrote ‘The Vampyre’

John Polidori was a promising writer who died tragically young. His reputation has suffered at the pens of the Byron circle, of which he was briefly a member, and their biographers. He is best known for his story ‘The Vampyre’ (1819), which created the modern myth of the aristocratic undead that endures to this day.…

Gothic Film: A Brief History

Gothic films are at once very easy and very difficult to categorise. Within the wider context of the “horror” genre, gothic films are linked directly to the literary gothic of the eighteenth and nineteenth centuries, often adapting the original novels – for example: F.W. Murnau’s Nosferatu (Germany, 1922), Tod Browning’s Dracula and James Whale’s Frankenstein…